Hacking into old IKEA lampshades, as well as various basketry items originally collected for Hybrid Basketry, the woven capsules rotate inside one another and generate light. They measure time, weaving light and motion in a continuous cycle. Think of them as inverted kaleidoscopes, projecting light patterns onto their surroundings. This kinetic playfulness is double edged however. The light is trapped in the complex intertwined patterns of the weave and you’ll notice a skull at the centre of one of the capsules. The sculptures are vanitas, reminding us that with each rotation we are irremediably closer to death. All light creates shade.
Only while writing this am I reminded of Come Back, an equally dark and mysterious light installation I created at St Pancras Chambers for the exhibition Shine curated by Up Projects, a London based arts organisation who are soon to celebrate their 10th anniversary. Come Back consisted of a rotating projection in a darkened room spelling the words that make up it’s title and could only be seen from the outside through a half opened door. It’s strange to realise how creative thoughts, something I've referred to in my previous post on this blog, tend to come round in circles.