How twine changed the course of humanity completely and forever...

'It probably happened like this, some 40,000 years ago… 

Man, might have been a woman, twisted strands of grasses together and made twine for the first time. Cording was invented. The twine made was used to tie sticks together, then longer lengths of it woven together to make coiled baskets. Where grasses were not so abundant other plant materials were used such as bamboo in Asia, willow in Europe or palm fronds in the Pacific. With the use of different materials, techniques were adapted to make the most of these such as plaiting, stake and stand and numerous other weaving techniques from basketry to textiles.

The use of baskets was revolutionary. With their use, communities were able to switch from hunting and gathering to a more agrarian and sedentary way of life. For the first time food stuff, grain and other goods could now be stored, transported and exchanged; basketry (and making twine) led to advent of trade and commerce.'

- inspired by a conversation with Eva Sajovic talking about reason for wanting to show a large piece of rope made from corded waste plastic at Danielle Arnaud Gallery next year, as well as Barry Flanagan's work currently exhibited in the Duveen Gallery, Tate Britain.
 

 

 (Photos above are included in the cording chapter of Practical Basketry Techniques) 

weave and wealth

paper, chinese ink and tea

With the advent of the first baskets being made, humanity took a giant leap forward; goods at last could be stored, exchanged and traded. Honouring this history in the context of a workshop planned at the Museum of London in Docklands, I decided to focus on the collection documenting the pool of London as one of the world's first major trading centres, a city that became a ‘warehouse of the world’ between 1830 and 1939, as ships brought in exotic commodities from the far east and the then-called ‘new world’. 

paper, chinese ink, herbs and spices
dailymade #121210

The workshop consisted of plaiting baskets (a technique largely imported from Asia) using layered paper strips and tissue paper.  The strips were painted, then filled with the participants’ own blend of spices, herbs and seeds to create fragrant containers for them to take home. As the fragrances will eventually fade, I suggested the baskets could be buried in the ground or in containers so to allow the seeds to germinate.

The containers produced over the course of the one afternoon were symbolic items celebrating London’s rich history and cultural diversity.  Sadly I got too busy to take pictures at time. These of course couldn't have conveyed the wonderful aromas produced as the spices and herbs were mixed, ground and added to the baskets, so below is a poem by John Masefield, part the museum display, that might go some way in bringing smells to mind:

You showed me nutmegs and nutmeg husks

Ostrich feathers and elephant tusks

Hundreds of tons of costly tea

Packed in wood by Cingalee

And a myriad of drugs which disagree

Cinnamon, myrrh and mace you showed

Golden paradise birds that glowed

More cigars than a man could count

And a billion cloves in an odorous mount

And a choice of port wine from a bright glass fount

You showed me, for a most delightful hour

The wealth of the world and London’s power.